They have released a new set of stills for Olivia’s upcoming movie, Being Flynn, and I’ve added the one with Olivia to the gallery.

What attracted you to this part?
When I read the script, the whole thing was just really good. I felt like I hadn’t read and certainly haven’t played this character before. She’s a young woman who is thrown into emotionally gray areas and deals with them in a very human way, which is imperfectly. I didn’t want her to be a scapegoat or a kind of jezebel character. We talked a lot about her sexuality. We didn’t want it to be overt—we didn’t want her to be oozing sex—but we definitely wanted to show that there was something about her that men really liked.

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But moment to moment, smile to smile—there are an uncommon number of gentle smiles, and many of them are Thirlby’s—from emphatic sound design to precise framings, Nobody Walks is decidedly a movie about variations (and variables) of feeling and sensation. It leaves a bittersweet bruise.

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But Thirlby’s Martine is more of an enigma, seemingly untouched and blasé about what she has wrought on the family. Perhaps that’s the point. And her vagueness as a character is a result of the fact that she doesn’t yet know who she is either. But if Nobody Walks is also her story, viewers might appreciate getting to know her a little better.

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